{"product_id":"jordan-weitzman-the-places-of-marguerite-duras-copy-1","title":"Marguerite Duras: The Darkroom","description":"\u003cp\u003e\u003cspan\u003eEris, 2025, softcover, 156 pages, 2.5 x 19.6 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“One must make films with this knowledge: there’s no point anymore. Let film meet its end, that’s the only cinema.”\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe Darkroom\u003c\/span\u003e\u003cspan\u003e contains the script for Marguerite Duras’s 1977 radically experimental film \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eLe camion\u003c\/span\u003e\u003cspan\u003e (\u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe Truck\u003c\/span\u003e\u003cspan\u003e). Between images of a truck in motion, juxtaposed voiceovers, and cutaways to Duras in conversation with Gérard Depardieu, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eLe camion\u003c\/span\u003e\u003cspan\u003e turns the art of film into a means of enabling the viewer to engage multiple faculties―not only the visual and the aural, but also memory, imagination, and desire.\u003cbr\u003e\u003cbr\u003eAlso included here is a series of short essays in which Duras makes provocative connections between film and textuality, as well as a fascinating dialogue with Michelle Porte. Together amounting to a crucial contribution to the field of film theory, these texts make brilliantly apparent the depth and integrity of Duras’s aesthetic, philosophical, and political thinking.\u003c\/span\u003e\u003c\/p\u003e","brand":"ICA Bookstore","offers":[{"title":"Default Title","offer_id":58774729064832,"sku":null,"price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/4390\/6109\/files\/9781916809598_jpg.webp?v=1787669758","url":"https:\/\/shop.ica.art\/products\/jordan-weitzman-the-places-of-marguerite-duras-copy-1","provider":"ICA Bookshop","version":"1.0","type":"link"}