Wirklichkeit, 2027, Paperback, 132 pages, 11.6 x 18.8
The Blood Libel, written in 1973 by the Italian scholar of myth and radical critic Furio Jesi, explores the archival traces of the 1840 Damascus affair, an anti-Semitic accusation of ritual murder. We follow in detail how the death of a Catholic missionary monk in Ottoman Syria is transformed into a racist myth that depends on the figure of the “savage”—more precisely, on the paranoid projection of the Jew as a masked inner enemy, who, as Jesi writes, “has hypocritically and externally civilized himself—and who has thus been able to continue to satisfy his blood-thirsty instincts within the very fabric of 'civilized' societies.” This study is contrasted by a profound analysis of modernity’s fears articulated in the figure of the vampire that circulated through Germany’s nineteenth century.