{"title":"Cinema","description":"","products":[{"product_id":"godard-on-godard","title":"Tom Milne: Godard On Godard","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eDaCapo Press, 1986, 298 pages, 12 x 20 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e“...Jean-Luc Godard, like many of his European contemporaries, came to filmmaking through film criticism. This collection of essays and interviews, ranging from his early efforts for La Gazette du Cinéma to his later writings for Cahiers du Cinéma, reflects his dazzling intelligence, biting wit, maddening judgments, and complete unpredictability. In writing about Hitchcock, Welles, Bergman, Truffaut, Bresson, and Renoir, Godard is also writing about himself,his own experiments, obsessions, discoveries. This book offers evidence that he may be even more original as a thinker about film than as a director. Covering the period of 1950-1967, the years of Breathless, A Woman Is a Woman, My Life to Live, Alphaville, La Chinoise, and Weekend, this book of writings is an important document and a fascinating study of a vital stage in Godard's career. 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In multilayered video installations, sequences of images are forced into the same time and space, allowing the viewer to experience connections in her his their present. With examples from many of his key works, topics discussed include untold histories and the diaspora, migration, and “the enigma of arrival.” Akomfrah defines his way of working with montage not only as a technique but as an ethic, an ontology in which differences are brought together.\u003c\/p\u003e","brand":"ICA Bookstore","offers":[{"title":"Default Title","offer_id":37094951321761,"sku":"1","price":7.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/4390\/6109\/products\/cc_icabookstore_01.jpg?v=1630413783"},{"product_id":"black-film-british-cinema-ii","title":"Clive Nwonka: Black Film British Cinema II","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eGoldsmiths Press, 2021\u003cspan mce-data-marked=\"1\" data-mce-fragment=\"1\"\u003e, Softcover, 248\u003c\/span\u003e pages, 23 \u003cspan style=\"font-family: Times New Roman; font-size: medium;\" size=\"3\" face=\"Times New Roman\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: 12pt;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 12pt;\"\u003e\u003cspan style=\"font-size: small;\" size=\"2\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: 11pt;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 11pt;\"\u003e× \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e18 cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eContributors: \u003c\/i\u003eBidisha, Ashley Clark, Shelley Cobb, James Harvey, Melanie Hoyes, Maryam Jameela, Kara Keeling, Oslem Koskal, Rabz Lansiquot, Sarita Malik, Richard Martin, So Mayer, Alessandra Raengo, Richard T. 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How are the new forms of black British film facilitating new modes of representation, authorship and exhibition? Explored in the context of film aesthetics, curatorship, exhibition and arts practice, and the politics of diversity policy, \u003c\/span\u003e\u003ci\u003eBlack Film British Cinema II\u003c\/i\u003e\u003cspan\u003e provides the platform for new scholars, thinkers and practitioners to coalesce on these central questions. It is explicitly interdisciplinary, operating at the intersections of film studies, media and communications, sociology, politics and cultural studies. 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Laura Dern’s astonishing performance, as the film’s realities splinter and identities multiply, is elucidated by Anderson through her deep affection and respect for Lynch. \u003c\/span\u003e\u003c\/p\u003e","brand":"ICA Bookstore","offers":[{"title":"Default Title","offer_id":41415542177953,"sku":"","price":15.95,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/4390\/6109\/products\/blt_icabookstore_01b_7f7f65c8-c2b5-408f-80fb-1a65454254fe.jpg?v=1641379141"},{"product_id":"rachel-garfield-experimental-filmmaking-and-punk-feminist-audio-visual-culture-in-the-1970s-and-1980s","title":"Rachel Garfield: Experimental Filmmaking and Punk - Feminist Audio Visual Culture in the 1970s and 1980s","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eBloomsbury, 2021\u003cspan mce-data-marked=\"1\" data-mce-fragment=\"1\"\u003e, Softcover, 288\u003c\/span\u003e pages, 23.5 \u003cspan style=\"font-family: Times New Roman; font-size: medium;\" size=\"3\" face=\"Times New Roman\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: 12pt;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 12pt;\"\u003e\u003cspan style=\"font-size: small;\" size=\"2\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: 11pt;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 11pt;\"\u003e× \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e15.5 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJust as punk created a space for bands such as the Slits and Poly Styrene to challenge 1970s norms of femininity, through a transgressive, strident new female-ness, it also provoked experimental feminist film makers to initiate a parallel, lens-based challenge to patriarchal modes of film making.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn this book, Rachel Garfield breaks new ground in exploring the rebellious, feminist punk audio-visual culture of the 1970s, tracing its roots and its legacies. In their filmmaking and their performed personae, film and video artists such as Vivienne Dick, Sandra Lahire, Betzy Bromberg, Ruth Novaczek, Sadie Benning, Leslie Thornton, Abigail Child and Anne Robinson offered a powerful, deliberately awkward alternative to hegemonic conformist femininity, creating a new “punk audio visual aesthetic”. A vital aspect of our vibrant contemporary digital audio visual culture, Garfield argues, can be traced back to the techniques and forms of these feminist pioneers, who like their musical contemporaries worked in a pre-digital, analogue modality that nevertheless influenced the emergent digital audio visual culture of the 1990s and 2000s.\u003c\/span\u003e\u003c\/p\u003e","brand":"ICA Bookstore","offers":[{"title":"Default Title","offer_id":41415689470113,"sku":"","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/4390\/6109\/products\/efap_icabookstore_01b.jpg?v=1641381390"},{"product_id":"edgewise-a-picture-of-cookie-mueller","title":"Edgewise: A Picture of Cookie Mueller","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eB Books, 2014\u003cspan mce-data-marked=\"1\" data-mce-fragment=\"1\"\u003e, Softcover, 340\u003c\/span\u003e pages, 23 \u003cspan style=\"font-family: Times New Roman; font-size: medium;\" size=\"3\" face=\"Times New Roman\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: 12pt;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 12pt;\"\u003e\u003cspan style=\"font-size: small;\" size=\"2\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: 11pt;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 11pt;\"\u003e× \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e15 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cspan\u003eContributions by John Waters, Mink Stole, Gary Indiana\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCookie Mueller was a firecracker, a cult figure, a wit, a wild child, a writer, a go go dancer, a mother, an unlikely queer icon, an alchemist, a lightning rod in dark times. A child of suburban 50‘s Maryland and post-beatnik 60’s freakdom, she made her name first as an actress in the films of John Waters, and then as an art critic and columnist, a writer of hilarious and sublime stories and short fiction and a maven of the Downtown art world. Edgewise tells the story of Cookie‘s life through an oral history composed from over 80 interviews with the people who knew her. After tracing back some of the steps of the author’s 7-year trip in search of Cookie, the voices take us from the late 60’s artist communes of Baltimore to 70’s Provincetown where romantics and queers crawled the dunes and discos, to the sleepless creative high of post-industrial Bohemian New York, through 80‘s West Berlin and Positano, and into the depths and contradictions of Cookie’s life and loves. \u003c\/span\u003e\u003cspan\u003eSince her death from AIDS in 1989, Cookie’s work and life have made her an underground icon. 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The closing chapter on \u003cem\u003eThe Sacrifice\u003c\/em\u003e, dictated in the last weeks of Tarkovsky's life, makes the book essential reading for those who already know or who are just discovering his magnificent work.\u003c\/span\u003e\u003c\/p\u003e","brand":"ICA Bookstore","offers":[{"title":"Default Title","offer_id":42363915141281,"sku":"","price":26.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/4390\/6109\/products\/sit_icabookstore_01.jpg?v=1660208219"},{"product_id":"the-shining-a-visual-and-cultural-haunting","title":"The Shining: A Visual and Cultural Haunting","description":"\u003cp\u003eRough Trade, 2022, Hardcover boxset, 85 pages, 21 \u003cspan style=\"font-family: Times New Roman; font-size: medium;\" size=\"3\" face=\"Times New Roman\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: 12pt;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 12pt;\"\u003e\u003cspan style=\"font-size: small;\" size=\"2\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: 11pt;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 11pt;\"\u003e×\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e 14 cm\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eContributions by Shelley Duvall (Wendy Torrance),  and Dan Lloyd (Danny Torrance), Cosey Fanni Tutti, Margaret Howell, James Lavelle (UNKLE), Gavin Turk, John Grindrod, Jen Calleja, Michael Blyth, • Alex Colville \u2028, A.Y. Jackson , Fredrick H. Varley \u2028, Norval Morrisseau, Francisco de Goya, Reubens\u2028, John William Waterhouse, John Everett Millais , William Gilbert Gaul, Agnes Denes, Carl Andre \u2028\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Shining: A Visual and Cultural Haunting\u003c\/em\u003e is an immersive, multi-dimensional examination of one of the most infamous films in cinematic history. This loose-leafed and beautifully boxed book—disguised as the ‘writing project’ Jack is typing throughout the course of the film—explores the film’s cultural legacy through exclusive essays, original recollections, contributions from cultural luminaries, and art and visual ephemera.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRare, exclusive interviews with lead actors, \u003c\/span\u003e\u003cspan\u003ealong with a wealth of contributors \u003c\/span\u003e\u003cspan\u003ere-examine the film through the lenses of music, art, mythology, fashion, gender, and more. Stanley Kubrick was renowned for his rigorous research which inspired our own approach. We will be republishing and reprinting numerous rare texts read by the director in preparation for the production. The book also focuses a contemporary lens on the film to readdress an apparent gap in critique from the perspectives of women, mental illness, domestic abuse and domestic violence.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"ICA Bookstore","offers":[{"title":"Default Title","offer_id":42751533547681,"sku":"","price":50.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/4390\/6109\/products\/shining_icabookstore_01.jpg?v=1670237781"},{"product_id":"rainer-werner-fassbinder-the-anarchy-of-the-imagination","title":"Rainer Werner Fassbinder: The Anarchy of the Imagination","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eJohns Hopkins University Press, 1992\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e, Softcover, 276\u003c\/span\u003e pages, 23 \u003cspan face=\"Times New Roman\" size=\"3\" style=\"font-family: Times New Roman; font-size: medium;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: 12pt;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 12pt;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: 11pt;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 11pt;\"\u003e× \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e15 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eThe Anarchy of the Imagination\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e collects the most important interviews, essays, and working notes of Rainer Werner Fassbinder, one of the most influential cultural figures to emerge from post-war Germany. Whether reflecting on his won work oir writing about other directors, whether describing his discovery of actress Hanna Schygulla or speaking out in favor of political film making, Fassbinder's perspective is radical, subjective, and challenging. The writing in this volume-nearly all presented here for the first time in English-are an essential part of Fassbinder's legacy, the remarkable body of work in which present-day German reality finds brilliant expression.\u003c\/span\u003e\u003c\/p\u003e","brand":"ICA Bookstore","offers":[{"title":"Default Title","offer_id":42982177341601,"sku":"","price":26.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/4390\/6109\/products\/anarchy.jpg?v=1681395999"},{"product_id":"ian-penman-fassbinder-thousands-of-mirrors","title":"Ian Penman: Fassbinder Thousands of Mirrors","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFitzcarraldo, 2023\u003cspan mce-data-marked=\"1\" data-mce-fragment=\"1\"\u003e, Softcover, 200\u003c\/span\u003e pages, 19.5 \u003cspan style=\"font-family: Times New Roman; font-size: medium;\" size=\"3\" face=\"Times New Roman\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: 12pt;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 12pt;\"\u003e\u003cspan style=\"font-size: small;\" size=\"2\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: 11pt;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 11pt;\"\u003e× \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e12.5 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMelodrama, biography, cold war thriller, drug memoir, essay in fragments, mystery – \u003c\/span\u003e\u003cspan class=\"a-text-italic\" data-mce-fragment=\"1\"\u003eFassbinder Thousands of Mirrors\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e is cult critic Ian Penman’s long awaited first original book, a kaleidoscopic study of the late West German filmmaker Rainer Werner Fassbinder (1945–1982). Written quickly under a self-imposed deadline in the spirit of Fassbinder himself, who would often get films made in a matter of weeks or months, \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\" data-mce-fragment=\"1\"\u003eFassbinder Thousands of Mirrors\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e presents the filmmaker as a pivotal figure in the late 1970s moment between late modernism and the advent of postmodernism and the digital revolution. Compelling, beautifully written and genuinely moving, echoing the fragmentary and reflective works of writers like Barthes and Cioran, this is a story that has everything: sex, drugs, art, the city, cinema and revolution.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"ICA Bookstore","offers":[{"title":"Default Title","offer_id":43105609973921,"sku":"","price":9.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/4390\/6109\/files\/tom_icabookstore_01.jpg?v=1688988229"},{"product_id":"marguerite-duras-my-cinema","title":"Marguerite Duras: My Cinema","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAnother Gaze, 2024\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e, Softcover, 408\u003c\/span\u003e pages, 20 \u003cspan style=\"font-family: Times New Roman; font-size: medium;\" size=\"3\" face=\"Times New Roman\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: 12pt;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 12pt;\"\u003e\u003cspan style=\"font-size: small;\" size=\"2\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: 11pt;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 11pt;\"\u003e× \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e13 cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWorking chronologically through her nineteen films, made between 1966 and 1985, this collection of reflections by Marguerite Duras (1914–1996) includes non-standard press releases, notes to her actors, letters to funders, short essays on themes as provocatively capacious as ‘mothers’ and ‘witches’, as well as some of the most significant interviews she gave about her cinematic and writing practices (with filmmakers and critics including Jacques Rivette, Caroline Champetier and Jean Narboni).\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIn Duras's hands, all of these forms turn into a strange, gnomic literature in which the boundary between word and image becomes increasingly blurred and the paradox of creating a cinema that seeks ‘to destroy the cinema’ finds its most potent expression.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eYet, Duras is never concerned only with her own work, or even with the broader project of making cinema: her preoccupations are global, and the global crucially informs her perceptions of the way in which she works. With the audiovisual as a starting point, her encyclopaedic associative powers bring readers into contact with subjects as diverse as the French Communist Party, hippies, Jews, revolutionary love, madness and freedom, across four decades of an oeuvre that is always in simultaneous dialogue with the contemporary moment and world history.\u003c\/span\u003e\u003c\/p\u003e","brand":"ICA Bookstore","offers":[{"title":"Default Title","offer_id":43880950268065,"sku":null,"price":14.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/4390\/6109\/files\/mycinema_icabookstore_01.jpg?v=1709550617"},{"product_id":"duras-godard-dialogues","title":"Duras\/Godard Dialogues","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Film Desk, 2023\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e, Hardcover, 148\u003c\/span\u003e pages, 21 \u003cspan style=\"font-family: Times New Roman; font-size: medium;\" size=\"3\" face=\"Times New Roman\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: 12pt;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 12pt;\"\u003e\u003cspan style=\"font-size: small;\" size=\"2\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: 11pt;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 11pt;\"\u003e× \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e15.5 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eContributions by Cyril Béghin, Nicholas Elliott\u003c\/p\u003e\n\u003cp\u003eThree dialogues between Marguerite Duras and Jean-Luc Godard from 1979, 1980 and 1987.\u003c\/p\u003e","brand":"ICA Bookstore","offers":[{"title":"Default Title","offer_id":44272513450145,"sku":null,"price":25.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/4390\/6109\/files\/duras_godard_ica.jpg?v=1714041519"},{"product_id":"sam-ashby-little-joe","title":"Sam Ashby: Little Joe","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eSPBH, 2024\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e, Softcover, \u003c\/span\u003e512 pages, 22 \u003cspan face=\"Times New Roman\" size=\"3\" style=\"font-family: Times New Roman; font-size: medium;\" data-mce-fragment=\"1\" data-mce-style=\"font-family: Times New Roman; font-size: medium;\"\u003e\u003cspan style=\"font-size: 12pt;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 12pt;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: 11pt;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 11pt;\"\u003e× \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e14 cm\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContributions by John Waters, Sarah Schulman, Douglas Crimp, William E. Jones, Erika Balsom, Jeremy Atherton Lin, John Greyson, Elizabeth Purchell, Liz Rosenfeld, Peter Strickland, Ira Sachs, Terence Davies, Shu Lea Cheang, Kevin Killian, Wayne Koestenbaum, Abdellah Taïa, Marlene McCarty, John Cameron Mitchell, Rosa von Praunheim, Stuart Comer, Ed Halter, Jenni Olson, A.L. Steiner, A.K. Burns, Desiree Akhavan, Andrew Haigh\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe cult periodical Little Joe, published as a limited-edition zine from 2010 to 2021, challenged the mainstream narrative of film history with a rebellious, queer perspective. Rather than reviewing new releases, it explored forgotten and overlooked films and celebrated a diverse spectrum of cinema – from obscure art films to porn to Hollywood classics – as worthy of critical debate. Stubbornly print-only, \u003cem\u003eLittle Joe\u003c\/em\u003e was notoriously hard to find, privileging word-of-mouth distribution akin to the films it championed. 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The aim of this book is not so much to establish Anger's role as an auteur, but rather to place the film in the larger social context of articulating gay identity in ways that reflected both 'gay' sensibility (camp) and contemporary popular media theories.\u003c\/span\u003e\u003c\/p\u003e","brand":"ICA Bookstore","offers":[{"title":"Default Title","offer_id":44404649689249,"sku":null,"price":16.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/4390\/6109\/files\/scorpiorising_icabookstore_01.jpg?v=1717407363"},{"product_id":"amos-vogel-film-as-a-subversive-art","title":"Amos Vogel: Film as a Subversive Art","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Film Desk, 2021\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e, Hardcover, 336\u003c\/span\u003e pages, 28 \u003cspan style=\"font-family: Times New Roman; font-size: medium;\" size=\"3\" face=\"Times New Roman\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: 12pt;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 12pt;\"\u003e\u003cspan style=\"font-size: small;\" size=\"2\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: 11pt;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 11pt;\"\u003e× \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e25.5 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eAmos Vogel’s seminal book \u003cem\u003eFilm as a Subversive Art \u003c\/em\u003ewas first published in 1974 and, in Vogel’s own words, detailed, “the accelerating worldwide trend toward a more liberated cinema, in which subjects and forms hitherto considered unthinkable or forbidden are boldly explored.” It is now available again in this newly restored edition, in which hundreds of errors have been corrected. Accompanied by over three hundred rare film stills, newly sourced and re-scanned for this edition. This revised edition of the book is edited by Jim Colvill and Herb Shellenberger, with a new foreword by Herb Shellenberger.\u003c\/p\u003e","brand":"ICA Bookstore","offers":[{"title":"Default Title","offer_id":44404705820833,"sku":null,"price":38.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/4390\/6109\/files\/faasa_icabookstore_01_7950a39d-4ccf-4e7e-8318-58dcdfbbbb6a.jpg?v=1717411026"},{"product_id":"arthur-jafa","title":"Arthur Jafa: *****","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eGladstone Gallery, 2024\u003cspan mce-data-marked=\"1\" data-mce-fragment=\"1\"\u003e, Softcover, 31\u003c\/span\u003e pages, 30 \u003cspan style=\"font-family: Times New Roman; font-size: medium;\" size=\"3\" face=\"Times New Roman\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: 12pt;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 12pt;\"\u003e\u003cspan style=\"font-size: small;\" size=\"2\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: 11pt;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 11pt;\"\u003e× \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e25.5 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArthur Jafa’s \u003cem\u003e*****\u003c\/em\u003e is a reinterpretation of the final gunfight in Martin Scorsese’s \u003cem\u003eTaxi Driver\u003c\/em\u003e, featuring black characters instead of the original cast. Published in conjunction with the presentation of the work at Gladstone Gallery, New York, this publication gathers texts by Amy Taubin and Beth Coleman that unfold the questions of representation, politics, and form, at stake in these moving images, their circulation and (re)invention.\u003c\/span\u003e\u003c\/p\u003e","brand":"ICA Bookstore","offers":[{"title":"Default Title","offer_id":44652963070113,"sku":null,"price":8.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/4390\/6109\/files\/arthur_jafa.jpg?v=1727954832"},{"product_id":"chantal-ackerman-travelling","title":"Chantal Akerman: Travelling","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cspan\u003eLannoo\u003c\/span\u003e, 2024\u003cspan mce-data-marked=\"1\" data-mce-fragment=\"1\"\u003e, Softcover, 208\u003c\/span\u003e pages, 24 \u003cspan style=\"font-family: Times New Roman; font-size: medium;\" size=\"3\" face=\"Times New Roman\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: 12pt;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 12pt;\"\u003e\u003cspan style=\"font-size: small;\" size=\"2\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: 11pt;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 11pt;\"\u003e× \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e17.5 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFilmmaker and artist Chantal Akerman was one of the most fearless filmmakers of her generation. Her work blurs the boundaries of time and space, of film and art. It can be seen in cinemas and museums worldwide. She may be largely unknown to the general public, but she is revered by cinephiles, visual artists and filmmakers. The impact of her oeuvre on world cinema became abundantly clear when \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eJeanne Dielman, 23, quai du Commerce, 1080 Bruxelles\u003c\/span\u003e\u003cspan\u003e was named the best film of all time by British magazine \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eSight and Sound\u003c\/span\u003e\u003cspan\u003e.\u003cbr\u003e\u003cbr\u003eIn 2024, Bozar-Centre for Fine Arts, Jeu de Paume and CINEMATEK will pay tribute to Akerman by organising the first major exhibition on the Brussels artist. This book accompanying the exhibition features people who were closest to Akerman and can offer unique insights: the people who worked with her or were inspired by her.\u003c\/span\u003e\u003c\/p\u003e","brand":"ICA Bookstore","offers":[{"title":"Default Title","offer_id":52538763313536,"sku":null,"price":35.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/4390\/6109\/files\/travelling_icabookstore_01.jpg?v=1729167956"},{"product_id":"caden-mark-gardener-willow-maclay","title":"Caden Mark Gardener \u0026 Willow Maclay: Corpses, Fools and Monsters","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eRepeater, 2024\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e, Softcover, 350\u003c\/span\u003e pages, 21.5 \u003cspan face=\"Times New Roman\" size=\"3\" style=\"font-family: Times New Roman; font-size: medium;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: 12pt;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 12pt;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: 11pt;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 11pt;\"\u003e× \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e13.5 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor over a century, trans images have appeared in cinema, often as harmful cultural objects shaped by the zeitgeist—from Christine Jorgensen to Candy Darling to sensationalised guests on \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe Jerry Springer Show\u003c\/span\u003e\u003cspan\u003e. These representations frequently cast trans bodies in abject forms: as corpses, jokes, tragic martyrs, or even monsters. But now, a new wave of trans cinema is emerging from the margins, creating its own film language in direct response to this history.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eCorpses, Fools, and Monsters\u003c\/span\u003e\u003cspan\u003e provides a radical history of trans images in film, analysing the works of trans directors like Isabel Sandoval, Silas Howard, and the Wachowski Sisters. It explores trans representation in everything from pre-talkie films and Ed Wood’s B-movies to Oscar-winners, body horror, and slashers. Beyond reassessing notable films and portrayals, the book highlights overlooked filmmakers and films, showcasing those who are pushing trans cinema into the mainstream in the twenty-first century.\u003c\/span\u003e\u003c\/p\u003e","brand":"ICA Bookstore","offers":[{"title":"Default Title","offer_id":52579749200256,"sku":null,"price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/4390\/6109\/files\/cfm_icabookstore_01.jpg?v=1732271027"},{"product_id":"chantal-akerman-my-mother-laughs","title":"Chantal Akerman: My Mother Laughs","description":"\u003cp\u003eSilver Press, 2019, Softcover, 200 pages, 13 x 20 cm\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eIn 2013, the filmmaker Chantal Akerman’s mother was dying. She flew back from New York to Brussels to care for her, and between dressing her, feeding her and putting her to bed, she wrote. She wrote about her childhood, the escape her mother made from Auschwitz but didn’t talk about, the difficulty of loving her girlfriend, C., her fear of what she would do when her mother did die. Among these imperfectly perfect fragments of writing about her life, she placed stills from her films. \u003c\/span\u003e\u003cem\u003eMy Mother Laughs\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003eis both the distillation of the themes Akerman pursued throughout her creative life, and a version of the simplest and most complicated love story of all: that between a mother and a daughter.\u003c\/span\u003e\u003c\/p\u003e","brand":"ICA Bookstore","offers":[{"title":"Default Title","offer_id":55684672029056,"sku":null,"price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/4390\/6109\/files\/Akerman.jpg?v=1739379393"},{"product_id":"yvonne-rainer-the-films-of-yvonne-rainer","title":"Yvonne Rainer: The Films of Yvonne Rainer","description":"\u003cp\u003e\u003cspan\u003eIndiana University Press, 1989, softcover, 226 pages, 15.3 x 23.3 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe scripts of Rainer's five films, presented here along with essays, an interview, and bibliography, demonstrate the evolution of her political consciousness as well as her creative engagement with the contemporary film and cultural scene. These texts challenge the illusionist and ideological presumptions of mainstream culture and cinema.\u003c\/span\u003e\u003c\/p\u003e","brand":"ICA Bookstore","offers":[{"title":"Default Title","offer_id":55822987624832,"sku":null,"price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/4390\/6109\/files\/71faSJ87QIL._SY522.jpg?v=1758719962"},{"product_id":"hollis-frampton-hollis-frampton","title":"Hollis Frampton: Hollis Frampton","description":"\u003cp\u003e\u003cspan\u003eMIT Press, 2022, softcover, 296 pages, 15.3 x 22.8 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eThe first collection of critical writing on the work of experimental filmmaker Hollis Frampton.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHollis Frampton (1936-1984) was one of the most important experimental filmmakers and theorists of his time, and in his navigation of artistic media and discourses, he anticipated the multimedia boundary blurring of today's visual culture. Indeed, his photography continues to be exhibited, and a digital edition of his films was issued by the Criterion Collection. This book offers the first collection of critical writings on Frampton's work. It complements \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eOn the Camera Arts and Consecutive Matter\u003c\/span\u003e\u003cspan\u003e, published in the MIT Press's Writing Art series, which collected Frampton's own writings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"a-text-italic\"\u003eOctober\u003c\/span\u003e\u003cspan\u003e was as central to Frampton as he was to it. He was both a frequent contributor--appearing in the first issue in 1976--and a frequent subject of contributions by others. Some of these important and incisive writings on Frampton's work are reprinted here. The essays collected in this volume consider Frampton's photographic practice, which continued even after he turned to film; survey his film work from the 1960s to the late 1970s; and explore Frampton's grounding in poetics and language. Two essays by the late Annette Michelson, one of the twentieth century's most influential writers on experimental film, place Frampton in relation to film and art history.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eContributors\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003eGeorge Derk, Ken Eisenstein, Hollis Frampton, Peter Gidal, Barry Goldensohn, Brian Henderson, Bruce Jenkins, Annette Michelson, Christopher Phillips, Melissa Ragona, Allen S. Weiss, Federico Windhausen, Lisa Zaher, Michael Zryd\u003c\/span\u003e\u003c\/p\u003e","brand":"ICA Bookstore","offers":[{"title":"Default Title","offer_id":55822988181888,"sku":null,"price":27.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/4390\/6109\/files\/6137KAxey9L._SY522__1.jpg?v=1763376534"},{"product_id":"nan-tarkovsky-films-stills-polaroids-and-writings","title":"Tarkovsky: Films, Stills, Polaroids \u0026 Writings","description":"\u003cp\u003e\u003cspan\u003eThames Hudson, 2019, hardcover, 288 pages, 19 x 24 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAndrey Tarkovsky was the most important Russian filmmaker of the post-war era, and one of the world’s most renowned cinematic geniuses. He directed the first five of his seven films – \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eIvan’s Childhood, Andrei Rublev, Solaris, Mirror\u003c\/span\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eStalker\u003c\/span\u003e\u003cspan\u003e – in the Soviet Union, but in 1982 defected to Italy, where he made \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eNostalgia\u003c\/span\u003e\u003cspan\u003e. His final film, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe Sacrifice\u003c\/span\u003e\u003cspan\u003e, was produced in Sweden in 1985. Tarkovsky’s films are characterized by metaphysical themes, extended takes, an absence of conventional dramatical structure and plot, and a dream-like, visionary style of cinematography. They achieve a spiritual intensity and transcendent beauty that many consider to be without parallel.\u003cbr\u003e\u003cbr\u003eThis book presents extended sequences of stills from each of the films alongside synopses and cast and crew listings. It includes reflections on Tarkovsky’s work from fellow artists and writers including Jean-Paul Sartre and Ingmar Bergman, for whom Tarkovsky was ‘the greatest, the one who invented a new language.’ Extracts from Tarkovsky’s own writings and diaries offer a wealth of insights into his poetic and philosophical views on cinematography, which he described as ‘sculpting in time’. The book also reproduces many personal Polaroid photographs that confirm the extraordinary poetic vision of a great artist who died aged only 54, but who remains a potent influence on artists and filmmakers today.\u003c\/span\u003e\u003c\/p\u003e","brand":"ICA Bookstore","offers":[{"title":"Default Title","offer_id":55822991753600,"sku":null,"price":35.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/4390\/6109\/files\/41Nops6z81L._SY445_SX342.jpg?v=1752083234"},{"product_id":"anna-bogutskaya-feeding-the-monster","title":"Anna Bogutskaya: Feeding the Monster","description":"\u003cp\u003e\u003cspan class=\"a-text-italic\"\u003e\u003cspan\u003eFaber \u0026amp; Faber, 2024, hardcover, 256 pages, 13.5 x 21.6 cm\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"a-text-italic\"\u003eZombies want brains. Vampires want blood. Cannibals want human flesh.\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eAll\u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003e\u003cspan\u003e \u003c\/span\u003emonsters need feeding.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003eHorror has been embraced by mainstream pop culture more than ever before, with horror characters and aesthetics infecting TV, music videos and even TikTok trends. Yet even with the commercial and critical success of \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe Babadook, Hereditary, Get Out, The Haunting of Hill House, Yellowjackets\u003c\/span\u003e\u003cspan\u003e and countless other horror films and TV series over the last few years, loving the genre still prompts the question: \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003ewhat's wrong with you?\u003c\/span\u003e\u003cspan\u003e Implying, of course, that there is something \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003enot quite right\u003c\/span\u003e\u003cspan\u003e about the people who make and consume it. 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Yet in 1968, he abandoned one of the most brilliant careers in French cinema to pursue his investigations into sound and image on the periphery of the industry he had rejected. Following a protected childhood in Switzerland in the Second World War, the post-war years saw Godard as a troubled adolescent in Paris, where the prescribed courses of the Sorbonne were ignored in favour of the extraordinary teaching of Andre Bazin, the greatest of film critics. In the pages of \"Cahiers du Cinema\", Godard - together with Truffaut, Rohmer, Rivette and Chabrol - hammered out an aesthetic that would take the world by storm as the young critics swapped pens for cameras at the end of the 1950s to create the cinema of the nouvelle vague. Hugely prolific in his first 10 years - \"A Bout de Souffle\", \"Le Petit Soldat\", \"Le Mepris,\" \"Pierrot Le Fou\", \"Alphaville\", \"Made in USA\" and many others all appeared in the 1960s - Godard became and remains one of the most adventurous and enigmatic film-directors at work in the world today.\u003c\/span\u003e\u003c\/p\u003e","brand":"ICA Bookstore","offers":[{"title":"Default Title","offer_id":55823039267200,"sku":null,"price":20.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/4390\/6109\/files\/51ZhpscCyEL.jpg?v=1753270715"},{"product_id":"jean-cocteau-diary-of-a-film","title":"Jean Cocteau: Diary of a Film","description":"\u003cp\u003e\u003cspan\u003eFilm Desk Books, 2023, Hardback, 162 pages, 20.3 x 15.2 cm\u003cbr\u003e\u003cbr\u003e“I’m woken by unbearable pain and since I can’t sleep or pace back and forth, I relieve myself by taking this notebook and attempting to cry out my pain to the unknown friends who will read these lines. They exist. I know them without knowing them. I can just see them in the shadows.” —Jean Cocteau Beginning on August 26, 1945, the day before shooting began, until June 1, 1946, the day after the film was first screened, Jean Cocteau kept a diary of the making of his masterpiece Beauty and the Beast . Throughout he details every stage of production, as he faces and surmounts numerous obstacles including severe problems with his health, and ultimately the great pleasures of camaraderie with his remarkable Jean Marais, Henri Alekan, and Christian Bérard, amongst others. New English translation by Nicholas Elliott. “I wonder if these hard days might be the sweetest of my life. 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Constructing this richly illustrated book as a curatorial project in and of itself, Nash outlines several key concepts that range from exhibition architecture and curating as an affective and artistic practice to post-cold war aesthetics and contemporary Chinese art. Throughout these essays on contemporary art, film, and installation, Nash offers critical commentary and reflection on exhibitions he has curated, including those that focus on socialist and utopian ideals following the end of the Cold War. He also folds curating into a discussion of forms of artistic production that are connected to alternative trajectories of collective and collaborative practice. Ultimately, Nash demonstrates that the art world and contemporary curatorial practice constitute some of the most important tools for social and aesthetic exchange in the twenty-first century.\u003c\/span\u003e\u003c\/p\u003e","brand":"ICA Bookstore","offers":[{"title":"Default Title","offer_id":55823056208256,"sku":null,"price":23.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/4390\/6109\/files\/717KnohquCL._SY522.jpg?v=1753714050"},{"product_id":"claire-cronin-blue-light-of-the-screen","title":"Claire Cronin: Blue Light of the Screen","description":"\u003cp\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003e\u003cspan\u003eRepeater, 2020, softcover, 232 pages, 13.1 x 19.6 cm\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eBlue Light of the Screen\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e\u003cspan\u003e \u003c\/span\u003eis about what it means to be afraid about immersion, superstition, delusion, and the things that keep us up at night.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003eA creative-critical memoir of the author s obsession with the horror genre, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eBlue Light of the Screen\u003c\/span\u003e\u003cspan\u003e embeds its criticism of horror within a larger personal story of growing up in a devoutly Catholic family, overcoming suicidal depression, uncovering intergenerational trauma, and encountering real and imagined ghosts.\u003cbr\u003e\u003cbr\u003eAs Cronin writes, she positions herself as a protagonist who is haunted by what she watches and reads, like an antiquarian in an M.R. James ghost story whose sense of reality unravels through her study of arcane texts and cursed archives. In this way, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eBlue Light of the Screen\u003c\/span\u003e\u003cspan\u003e tells the story of the author s conversion from skepticism to faith in the supernatural.\u003c\/span\u003e\u003c\/p\u003e","brand":"ICA Bookstore","offers":[{"title":"Default Title","offer_id":55823233155456,"sku":null,"price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/4390\/6109\/files\/51HBcSUBkFL._SY445_SX342_ML2.jpg?v=1776160923"},{"product_id":"therese-henningsen-strangers-within","title":"Therese Henningsen: Strangers Within","description":"\u003cp\u003e\u003cspan\u003ePrototype, 2022, softcover, 164 pages, 20.9 x 15 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eStrangers Within is an anthology exploring the idea of documentary as encounter through essays, stories, interviews and other creative responses by filmmakers, artists, and writers. The texts engage with the risks of encounter, unsettling assumptions about the distinctions between host and guest; stranger and friend; self and other; documentarian and protagonist. Opening up a series of questions about the mystery of another person, whose difference and unknowability is already a part of one’s self, the anthology offers a multidisciplinary approach to understanding the convergences between encounter, hospitality and autobiography.\u003cbr\u003e\u003cbr\u003eWith contributions by Khalik Allah, Ruth Beckermann, Jon Bang Carlsen, Adam Christensen, Annie Ernaux, Gareth Evans, Jane Fawcett, Xiaolu Guo, Umama Hamido, Therese Henningsen, Marc Isaacs, Mary Jimenez, Juliette Joffé, Andrew and Eden Kötting, David MacDougall, Trinh T. Minh-ha, Toni Morrison, Bruno de Wachter and Andrea Luka Zimmerman.\u003c\/span\u003e\u003c\/p\u003e","brand":"ICA Bookstore","offers":[{"title":"Default Title","offer_id":55823236366720,"sku":null,"price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/4390\/6109\/files\/81trwsvYCZL._SY522.jpg?v=1753263186"},{"product_id":"bergala-alain-the-cinema-hypothesis","title":"Alain Bergala: The Cinema Hypothesis","description":"\u003cp\u003e\u003cspan\u003eAustrian Film Museum, 2016, softcover, 136 pages, 17.1 x 20.3 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is the first English translation of Alain Bergala's seminal text on the potentials, possibilities, and problems of bringing film to schools and other educational contexts. Based on the author's own experiences of writing about and teaching film as well as serving as an adviser to then-Minister of Education Jack Lang, Bergala promotes an understanding of film as an autonomous art form – rather than viewing it as a supplement to other established school subjects. Film, for Bergala, is not something that has to smoothly blend into the school but something that can serve as a productive rupture, for both institution and pupil. Published in collaboration with the British Film Institute, this edition will be complemented by a new introduction on the occasion of its first appearance in English and a conversation with Bergala about the current state of film education on an international scale.\u003c\/span\u003e\u003c\/p\u003e","brand":"ICA Bookstore","offers":[{"title":"Default Title","offer_id":55823414788480,"sku":null,"price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/4390\/6109\/files\/81uk4lLZPiL._SY466.jpg?v=1762966389"},{"product_id":"yomota-inuhik-what-is-japanese-cinema","title":"Yomota Inuhik: What is Japanese Cinema","description":"\u003cp\u003eColumbia University Press, 2019, softcover, 248 pages, 13.7 x 21.8 cm\u003c\/p\u003e\n\u003cdiv id=\"mobile-about-the-book\"\u003e\n\u003cdiv class=\"slot product-about 9781584351115 isbn-related seemoreenable show opened\" id=\"seemore-0\"\u003e\n\u003csection class=\"overview\"\u003e\n\u003cp\u003e\u003cspan\u003eWhat might Godzilla and Kurosawa have in common? What, if anything, links Ozu’s sparse portraits of domestic life and the colourful worlds of anime? In \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eWhat Is Japanese Cinema?\u003c\/span\u003e\u003cspan\u003e Yomota Inuhiko provides a concise and lively history of Japanese film that shows how cinema tells the story of Japan’s modern age.\u003cbr\u003e\u003cbr\u003eDiscussing popular works alongside auteurist masterpieces, Yomota considers films in light of both Japanese cultural particularities and cinema as a worldwide art form. He covers the history of Japanese film from the silent era to the rise of J-Horror in its historical, technological, and global contexts. Yomota shows how Japanese film has been shaped by traditional art forms such as kabuki theatre as well as foreign influences spanning Hollywood and Italian neorealism. Along the way, he considers the first golden age of Japanese film; colonial filmmaking in Korea, Manchuria, and Taiwan; the impact of World War II and the U.S. occupation; the Japanese film industry’s rise to international prominence during the 1950s and 1960s; and the challenges and technological shifts of recent decades. Alongside a larger thematic discussion of what defines and characterizes Japanese film, Yomota provides insightful readings of canonical directors including Kurosawa, Ozu, Suzuki, and Miyazaki as well as genre movies, documentaries, indie film, and pornography. An incisive and opinionated history, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eWhat Is Japanese Cinema?\u003c\/span\u003e\u003cspan\u003e is essential reading for admirers and students of Japan’s contributions to the world of film.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"mobile-listen-to-a-clip\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"mobile-also-in-series\"\u003e\n\u003ca name=\"#alsoinseries\" id=\"alsoinseries\"\u003e\u003c\/a\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003cdiv class=\"slot series-also-in 9781584351115 isbn-related show\"\u003e\n\u003cdiv class=\"product-series-also-in\" id=\"in-series\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"ICA Bookstore","offers":[{"title":"Default Title","offer_id":55824178413952,"sku":null,"price":22.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/4390\/6109\/files\/81KXqjkfc_L._SY522.jpg?v=1771257621"},{"product_id":"french-new-wave-a-revolution-in-design","title":"Various: French New Wave: A Revolution in Design","description":"\u003cp\u003e\u003cspan\u003eReel Art Press, 2019, hardcover, 350 pages, 25.4 x 29.7 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe French New Wave is one of the most important movements in the history of film. Its fresh energy and vision changed the cinematic landscape and it has had a seminal impact on pop culture. The poster artists tasked with selling these Nouvelle Vague films to the masses were at the forefront of a revolution in art, graphic design and photography. This volume is a visual celebration of their explosive and ground-breaking poster art. Featuring posters from several countries, the diverse imagery for films like Breathless, Fahrenheit 451 and Le Mepris is accompanied by biographies on over 100 artists, photographers and designers the first time many of those responsible for promoting and portraying this movement have been properly recognized. This book is a definitive celebration on the visual imagery of the French New Wave.\u003c\/span\u003e\u003c\/p\u003e","brand":"ICA Bookstore","offers":[{"title":"Default Title","offer_id":55833603146112,"sku":null,"price":49.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/4390\/6109\/files\/41PMzRI0TrL._SX342_SY445.jpg?v=1743695827"},{"product_id":"khaled-hroub-hamas-a-beginners-guide-copy","title":"Ivone Margulies: Nothing Happens: Chantal Akerman's Hyperrealist Everyday","description":"\u003cp\u003e\u003cspan\u003eDuke University Press, 1996, softcover, 286 pages, 15.24 x 22.86 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThrough films that alternate between containment, order, and symmetry on the one hand, and obsession, explosiveness, and a lack of control on the other, Chantal Akerman has gained a reputation as one of the most significant filmmakers working today. Her 1975 film \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eJeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles\u003c\/span\u003e\u003cspan\u003e is widely regarded as the most important feminist film of that decade. In \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eNothing Happens\u003c\/span\u003e\u003cspan\u003e, Ivone Margulies presents the first comprehensive study of this influential avant-garde Belgian filmmaker.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003eMargulies grounds her critical analysis in detailed discussions of Akerman’s work—from \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eSaute ma ville\u003c\/span\u003e\u003cspan\u003e, a 13-minute black-and-white film made in 1968, through \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eJeanne Dielman\u003c\/span\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eJe tu il elle\u003c\/span\u003e\u003cspan\u003e to the present. Focusing on the real-time representation of a woman’s everyday experience in \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eJeanne Dielman\u003c\/span\u003e\u003cspan\u003e, Margulies brings the history of social and progressive realism and the filmmaker’s work into perspective. Pursuing two different but related lines of inquiry, she investigates an interest in the everyday that stretches from postwar neorealist cinema to the feminist rewriting of women’s history in the seventies. She then shows how Akerman’s “corporeal cinema” is informed by both American experiments with performance and duration and the layerings present in works by European modernists Bresson, Rohmer, and Dreyer. This analysis revises the tired opposition between realism and modernism in the cinema, defines Akerman’s minimal-hyperrealist aesthetics in contrast to Godard’s anti-illusionism, and reveals the inadequacies of popular characterizations of Akerman’s films as either simply modernist or feminist.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003eAn essential book for students of Chantal Akerman’s work, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eNothing Happens\u003c\/span\u003e\u003cspan\u003e will also interest international film critics and scholars, filmmakers, art historians, and all readers concerned with feminist film theory.\u003c\/span\u003e\u003c\/p\u003e","brand":"ICA Bookstore","offers":[{"title":"Default Title","offer_id":55845968314752,"sku":null,"price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/4390\/6109\/files\/81avlEfEfEL._SY522.jpg?v=1752684201"},{"product_id":"various-stan-brakhage-the-realm-buster-copy","title":"Lori Jo Marso: Feminism and the Cinema of Experience","description":"\u003cp\u003e\u003cspan\u003eDuke University Press Books, \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e2024, \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003ePaperback, 15.2 x 22.8 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom popular films like Greta Gerwig’s \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eBarbie\u003c\/span\u003e\u003cspan\u003e (2023) to Chantal Akerman’s avant-garde classic \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eJeanne Dielman\u003c\/span\u003e\u003cspan\u003e (1975), feminist cinema can provoke discomfort. Ambivalence, stasis, horror, cringe—these and other affects refuse the resolution of feeling good or bad, leaving viewers questioning and disoriented. In \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eFeminism and the Cinema of Experience\u003c\/span\u003e\u003cspan\u003e, Lori Jo Marso examines how filmmakers scramble our senses to open up space for encountering and examining the political conditions of patriarchy, racism, and existential anxiety. Building on Akerman’s cinematic lexicon and Simone de Beauvoir’s phenomenological attention to the lives of girls and women, Marso analyzes film and television by directors ranging from Akerman, Gerwig, Mati Diop, Catherine Breillat, and Joey Soloway to Emerald Fennell, Michaela Coel, Audrey Diwan, Alice Diop, and Julia Ducournau. Through their innovative and intentional uses of camera, sound, editing, and new forms of narrative, these directors use discomfort in order to invite viewers to feel like feminists and to sense the possibility of freedom.\u003c\/span\u003e\u003c\/p\u003e","brand":"ICA Bookstore","offers":[{"title":"Default Title","offer_id":55845997642112,"sku":null,"price":20.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/4390\/6109\/files\/51-l_jwyZ-L._SY445_SX342.jpg?v=1744198155"},{"product_id":"james-r-russo-jacques-rivette-and-french-new-wave-cinema","title":"James R. Russo: Jacques Rivette and French New Wave Cinema","description":"\u003cp\u003e\u003cspan\u003eLiverpool University Press, Paperback, 2023, 290 pages, 15.2 x 22.9 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis first comprehensive English collection of the interviews of Jacques Rivette (19282016) documents his career through chronology, filmography, bibliography, and image stills. A comprehensive introduction places this work in the wider context of twentieth-century social change. Rivette's films, like many of the works of the French New Wave, seem to have avoided the aging process entirely, remaining as playful, fresh, and quietly spectacular as the day they were made. Indeed, his body of work may be the most impressive of the French New Wave. Celine and Julie Go Boating (1974) has been recognized as possibly the best film to emerge from the post-New Wave era, even as Paris Belongs to Us (1961) is one of the best pictures to emerge from the New Wave itself. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"ICA Bookstore","offers":[{"title":"Default Title","offer_id":55846222463360,"sku":null,"price":32.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/4390\/6109\/files\/71NP0ivGkRL._SY522.jpg?v=1744197825"},{"product_id":"andy-crysell-selling-the-night-copy","title":"Jacques Ranciere: The Intervals of Cinema","description":"\u003cp\u003e\u003cspan\u003eVerso, 2019, softcover, 160 pages, 13 x 19.5 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCinema, like language, can be said to exist as a system of differences. In his latest book, acclaimed philosopher Jacques Rancière looks at cinematic art in comparison to its corollary forms in literature and theatre. From literature, he argues, cinema takes its narrative conventions, while at the same time effacing literature’s images and philosophy; and film rejects theatre, while also fulfilling theatre’s dream.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBuilt on these contradictions, the cinema is the real, material space in which one is moved by the spectacle of shadows. Thus, for Rancière, film is the perpetually disappointed dream of a language of images.\u003c\/span\u003e\u003c\/p\u003e","brand":"ICA Bookstore","offers":[{"title":"Default Title","offer_id":55874974450048,"sku":null,"price":11.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/4390\/6109\/files\/71hFytQJ8pL._SY522.jpg?v=1752084169"},{"product_id":"juliet-mitchell-womans-estate-copy","title":"Mary M. Wiles: Jacques Rivette","description":"\u003cp\u003e\u003cspan\u003eUniversity of Illinois Press, 2012, softcover, 200 pages, 20.5 x 13.7 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs a pioneer of the French New Wave, Jacques Rivette was one of a group of directors who permanently altered the world's perception of cinema by taking the camera out of the studios and into the streets. His films, including \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eParis nous appartient, Out 1: Noli me tangere, Céline et Julie vont en bateau--Phantom Ladies Over Paris, La belle noiseuse, Secret défense,\u003c\/span\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eVa savoir\u003c\/span\u003e\u003cspan\u003e are extraordinary combinations of intellectual depth, playfulness, and sensuous beauty. In this study of Rivette, Mary M. Wiles provides a thorough account of the director's career from the burgeoning French New Wave to the present day, focusing on the theatricality of Rivette's films and his explorations of the relationship between cinema and fine arts such as painting, literature, music, and dance. Wiles also explores the intellectual interests that shaped Rivette's approach to film, including Sartre's existentialism, Barthes's structuralism, and the radical theater of the 1960s. The volume concludes with Wiles's insightful interview with Rivette.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv id=\"mobile-about-the-book\"\u003e\n\u003cdiv class=\"slot product-about 9781584351115 isbn-related seemoreenable show opened\" id=\"seemore-0\"\u003e\n\u003csection class=\"overview\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"mobile-listen-to-a-clip\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"mobile-also-in-series\"\u003e\n\u003ca name=\"#alsoinseries\" id=\"alsoinseries\"\u003e\u003c\/a\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003cdiv class=\"slot series-also-in 9781584351115 isbn-related show\"\u003e\n\u003cdiv class=\"product-series-also-in\" id=\"in-series\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"ICA Bookstore","offers":[{"title":"Default Title","offer_id":55898598506880,"sku":null,"price":16.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/4390\/6109\/files\/51-TNis-DJL._SY522.jpg?v=1752077769"},{"product_id":"june-givanni-the-making-of-a-pan-african-cinema-archive","title":"Onyeka Igwe: June Givanni: The Making of a Pan-African Cinema Archive","description":"\u003cp\u003e\u003cspan\u003eLawrence \u0026amp; Wishart Ltd, 2025, softcover, 210 pages, 22 x 14 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA journey through the archive of BAFTA award-winning curator and film programmer, June Givanni. It contains thousands of films from across Africa, the Caribbean and the diaspora amassed in over forty years. Using four film festivals as her touchstones, author Onyeka Igwe offers a way to encounter Pan-African film.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe book starts with Third Eye, the film festival that propelled June into a career in Pan-African cinema. Through connections she made there, she travelled to FESPACO in 1985. Participating in the festival while Ouagadougou, Burkina Faso was under the leadership of revolutionary Thomas Sankara was a formative experience. In Ouagadougou she connected with film programmers Suzy Landau and Claire Andrade Watkins, who would take steps to organise Images Caraibes, Fort de France, Martinique, 1988, and Celebration of Black Cinema, Boston, US.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUsing original oral history research with June and other key figures in Pan-African and Black British cinema, Onyeka uncovers the important role that women festival organisers, programmers and cultural workers have played in Pan-African cinema history. She conceptualises June Givanni's Pan-African Cinema Archive (JGPACA) as a feminist counter archive that foregrounds marginalised histories and proposes a radical approach to archiving itself. In tracing and naming the cinematic legacies that ground political filmmaking practices today, she preserves June's work, knowledge and fervour for Pan African cinema for future generations.\u003c\/span\u003e\u003c\/p\u003e","brand":"ICA Bookstore","offers":[{"title":"Default Title","offer_id":55950863958400,"sku":null,"price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/4390\/6109\/files\/31kIM_FckZL.jpg?v=1746718206"},{"product_id":"bruno-munari-fantasy-copy","title":"Michelangelo Antonioni: The Bowling Alley on the Tiber","description":"\u003cp\u003e\u003cspan\u003eFilm Desk Books, 2025, Hardback, 182 pages, 20 x 15cm\u003cbr\u003e\u003cbr\u003eThirty-three richly suggestive stories by Antonioni, that range in length from a single paragraph to several pages. Not stories in the usual sense, these are instead a series of evocative sketches or “narrative nuclei,” each the genesis for a possible future film. Although he ultimately didn’t develop most of these ideas further, encountering them now provides a unique glimpse into Antonioni’s mind and cinematic point of view.\u003c\/span\u003e\u003c\/p\u003e","brand":"ICA Bookstore","offers":[{"title":"Default Title","offer_id":55964305752448,"sku":null,"price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/4390\/6109\/files\/antonionithatbowling.jpg?v=1747322787"},{"product_id":"sophia-coppola-archive","title":"Sofia Coppola: Archive 1999-2023","description":"\u003cp\u003eMACK, 2023, softcover, 488 pages, \u003cspan\u003e\u202821.6 x 28cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArchive is the first book by Sofia Coppola, covering the entirety of her singular and influential career in film. Constructed from Coppola’s personal collection of photographs and ephemera, including early development work, reference collages, influences, annotated scripts, and unseen behind-the-scenes documentation, it offers a detailed account of all eight of her films to date. Mapping a course from The Virgin Suicides (1999), through Lost in Translation (2003) and Marie Antoinette (2006), to The Beguiled (2017) and her upcoming feature Priscilla (fall 2023), exploring Priscilla Presley’s early years at Graceland, this luxurious volume reflects on one of the defining and most unmistakable cinematic oeuvres of the twenty-first century. An art book personally edited and annotated throughout by Coppola, Archive offers an intimate encounter with her methods, references, and collaborators and an unprecedented insight into her working processes. Accompanying the highly personal images and texts from Coppola’s archive is an extended interview with renowned film journalist Lynn Hirschberg discussing the remarkable oeuvre they reflect.\u003c\/span\u003e\u003c\/p\u003e","brand":"ICA Bookstore","offers":[{"title":"Default Title","offer_id":56002851012992,"sku":null,"price":55.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/4390\/6109\/files\/411FSkUGmYL._SX342_SY445.jpg?v=1748009158"},{"product_id":"ben-rivers-urthworks","title":"Ben Rivers: Urthworks","description":"\u003cp\u003eMACK, 2025, softcover, 176 pages, 17 x 21.5 cm\u003c\/p\u003e\n\u003cdiv id=\"mobile-about-the-book\"\u003e\n\u003cdiv class=\"slot product-about 9781584351115 isbn-related seemoreenable show opened\" id=\"seemore-0\"\u003e\n\u003csection class=\"overview\"\u003e\n\u003cp\u003e\u003ci\u003eUrthworks\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003edraws on a trilogy of films by Ben Rivers imagining the future of a planet at three stages after environmental collapse. Working with 16mm film and digital imaging technology, Rivers captures extraordinary real locations in Japan, Tuvalu, Lanzarote, Arizona, the Mendip Hills, and Somerset as well as fabricated environments. Observational images are interspersed with fantastically costumed characters and uncanny ruins. Through these eerily resonant threads, Rivers forges a compelling blend of document and fiction which presents us with forgotten ideas of the future, stranger-than-fiction images of the present, and elemental visions of the distant future that seem to resemble the deep past. While epic in scope, the narrative that unfolds is shaped around tactile and human detail, suggesting an intimate, sensory account of vast transformations in society and nature.\u003c\/p\u003e\n\u003cp\u003eThis artist’s book takes the form of a visual novel, interwoven with texts by acclaimed sci-fi author Mark von Schlegell expanding upon the worlds and characters of the images. The book’s title references Urth, the Norse goddess of fate, as well as Brian Aldiss’s 1965 dystopian novel\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eEarthworks\u003c\/i\u003e.\u003c\/p\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"mobile-listen-to-a-clip\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"mobile-also-in-series\"\u003e\n\u003ca name=\"#alsoinseries\" id=\"alsoinseries\"\u003e\u003c\/a\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003cdiv class=\"slot series-also-in 9781584351115 isbn-related show\"\u003e\n\u003cdiv class=\"product-series-also-in\" id=\"in-series\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"ICA Bookstore","offers":[{"title":"Default Title","offer_id":56019873825152,"sku":null,"price":35.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/4390\/6109\/files\/9781915743923.jpg?v=1750414311"},{"product_id":"colectivo-los-ingravidos-an-anthology","title":"Colectivo Los Ingrávidos: An Anthology","description":"\u003cp\u003eBatalha Centro de Cinema \u0026amp; ICA, 2025, softcover, 281 pages, 17 x 23 cm\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eColectivo Los Ingrávidos: An Anthology\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eexplores the radical practice of one of today's most prolific and politically charged film collectives. Emerging in 2012, Colectivo Los Ingrávidos challenges cinematic conventions through a decolonial lens, making films that dissolve the boundaries between ritual and resistance, myth and history, the personal and the collective.\u003cbr\u003e\u003cbr\u003eThis publication gathers Los Ingrávidos' foundational texts - including their Manifesto and Thesis on the Audiovisual - alongside newly comissioned essays and critical reflections by thinkers in experimental and decolonial cinema. By presenting the collective's writings in their voice while broadening its reach. \u003c\/p\u003e\n\u003cp\u003eContributions by Almudena Escobar López, Victor Guimarães, Adam Piron, Raquel Schefer, and Frederico Windhausen situate Los Ingrávidos within a lineage of Latin American and Indigenous filmmakers who disrupt dominant narratives and reimagine cinema as a tool for liberation. From layered meditations on ancestral histories to visceral critiques of state violence, this book reveals the collective's ability to transform the cinematic apparatus into a space of inquiry and political resistance. \u003c\/p\u003e","brand":"ICA Bookstore","offers":[{"title":"Default Title","offer_id":56023052550528,"sku":null,"price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/4390\/6109\/files\/PKB_0282.png?v=1748441498"},{"product_id":"ingrid-pollard-carbon-slowly-turning-copy","title":"Gus Van Sant: The Art of Making Movies","description":"\u003cp\u003e\u003cspan\u003e\u003cspan class=\"a-text-bold\"\u003eLaurence King Publishing, 2021, hardcover, 188 pages, 17.9 x 24.7 cm\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eFrom \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eDrugstore Cowboy\u003c\/span\u003e\u003cspan\u003e to \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eElephant\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eMilk\u003c\/span\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eGood Will Hunting\u003c\/span\u003e\u003cspan\u003e, Gus Van Sant's films have captured the imagination of more than one generation. Acclaimed as both an independent and mainstream filmmaker, he is also an artist, photographer and writer. Based on completely new and exclusive interviews, and featuring previously unseen imagery, this book provides a personal insight into how Van Sant successfully approaches these different and varied artforms, providing an inspirational look into the working life of one of America's most pivotal cultural and creative practitioners.\u003c\/span\u003e\u003c\/p\u003e","brand":"ICA Bookstore","offers":[{"title":"Default Title","offer_id":56031909314944,"sku":null,"price":20.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/4390\/6109\/files\/71qtM9aQmPL._SY522.jpg?v=1748616439"},{"product_id":"desi-queers-eds-churnjeet-mahn-rohit-k-dasgupta-and-dj-ritu-copy","title":"Jordan Peele: Out There Screaming","description":"\u003cp\u003e\u003cspan\u003e\u003cspan class=\"a-text-bold\"\u003ePicador, 2023, softcover, 402 pages, 13 x 19.6 cm\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"a-text-bold\"\u003eJordan Peele, the visionary writer and director of \u003c\/span\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eGet Out\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e, \u003c\/span\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eUs,\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e \u003c\/span\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eNope \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eand\u003c\/span\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003e Him\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e, curates this anthology of brand new stories of Black horror. Exploring not only the terrors of the supernatural but also the chilling reality of injustice that haunts our world.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFeaturing an introduction by Jordan Peele and an all-star roster of beloved writers and new voices, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eOut There Screaming\u003c\/span\u003e\u003cspan\u003e is a masterclass in horror, and – like his spine-chilling films – its stories prey on everything we think we know about our world, and redefine what it means to be afraid. Very afraid . . .\u003cbr\u003e\u003cbr\u003eTwo freedom riders take a bus that leaves them stranded on a lonely road in Alabama, where several unsettling \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003esomethings\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eawait them. A young girl dives into the watery depths in search of the demon that killed her parents. Monster-hunters fighting monsters, humanoid AIs fighting for their rights, and an Igbo woman standing up to a powerful spirit.\u003cbr\u003e\u003cbr\u003eFeaturing stories by: Erin E. Adams, Violet Allen, Lesley Nneka Arimah, Maurice Broaddus, Chesya Burke, P. Djèlí Clark, Ezra Claytan Daniels, Tananarive Due, Nalo Hopkinson, N. K. Jemisin, Justin C. Key, L. D. Lewis, Nnedi Okorafor, Tochi Onyebuchi, Rebecca Roanhorse, Nicole D. Sconiers, Rion Amilcar Scott, Terence Taylor and Cadwell Turnbull.\u003c\/span\u003e\u003c\/p\u003e","brand":"ICA Bookstore","offers":[{"title":"Default Title","offer_id":56073328198016,"sku":null,"price":11.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/4390\/6109\/files\/913JN9CX1wL._SY522.jpg?v=1749484523"},{"product_id":"trinh-t-minh-ha-grandmas-story","title":"Trinh T. Minh-ha: Grandma's Story","description":"\u003cp\u003e\u003cspan\u003eSpiral House Editions, 2025, softcover, 144 pages, 11 x 16cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe storyteller is the living memory of her time: at once an oracle, weaver, healer, warrior, witch, protectress, teacher and great mother. Her powers are to do with passing on – not only the stories but transmission itself: \"what grandma began, granddaughter completes and passes on to be further completed.\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn contrast to the idea that a story is \"just a story,\" pioneering postcolonial feminist theorist and filmmaker Trinh T. Minh-ha recodes ideas about truth and fantasy to tell a different story about power, civilization, history, medicine and magic. Grandma’s Story shows how creative speech is connected to women’s powers of enchantment, drawing upon and speaking with storytellers including Theresa Hak Kyung Cha, Clarice Lispector, Maxine Hong Kingston, Leslie Marmon Silko and Zora Neale Hurston – all who may be known as \"she who breaks open the spell.\"\u003c\/span\u003e\u003c\/p\u003e","brand":"ICA Bookstore","offers":[{"title":"Default Title","offer_id":56084542980480,"sku":null,"price":7.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/4390\/6109\/files\/51weIiJxhFL._SY522.jpg?v=1752085086"},{"product_id":"honor-levy-my-first-book-copy-1","title":"Derek Jarman: The Assassination of Pier Paolo Pasolini in the Garden of Earthy Delights","description":"\u003cp\u003ePilot Press, 2025, softcover, 92 pages, 14.8 x 19 cm\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cspan\u003eDerek Jarman’s unrealised film treatment, \u003ci\u003eThe Assassination of Pier Paolo Pasolini in the Garden of Earthly Delights,\u003c\/i\u003e takes as its subject matter the events leading up to and including the murder of Italian film director Pier Paolo Pasolini following the making of his final film \u003c\/span\u003e\u003ci\u003eSaló, or the 120 Days of Sodom\u003c\/i\u003e \u003cspan\u003ein 1975. \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eWritten in 1984, the setting of Jarman's film is inspired by the renaissance painter Hieronymus Bosch’s triptych, \u003c\/span\u003e\u003ci\u003eThe Garden of Earthly Delights\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(1490-1500)\u003c\/span\u003e\u003ci\u003e, \u003c\/i\u003e\u003cspan\u003ea painting that depicts both the joys and perils of temptation, and which Jarman encountered on a visit to the Museo de Prado in Madrid the year he began working on the project. \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFor the first time, a facsimile of the treatment is presented alongside reproductions from the film's workbook, which show Jarman's calligraphic notes towards the film’s sequences, themes, cinematography, lighting, sound, costume, casting and props. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2025 marks fifty years since Pasolini's murder and thirty-two since Jarman’s death due to AIDS. Against a backdrop of funding cuts to the arts and the arrival of the HIV\/AIDS epidemic that vanished away so many important artists and visionaries, \u003ci\u003eThe Assassination of Pier Paolo Pasolini in the Garden of Earthly Delights\u003c\/i\u003e is a powerful elegy to the decadence of queer cinema and the tragedy of its last auteur. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv id=\"mobile-about-the-book\"\u003e\n\u003cdiv id=\"seemore-0\" class=\"slot product-about 9781584351115 isbn-related seemoreenable show opened\"\u003e\n\u003csection class=\"overview\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"mobile-listen-to-a-clip\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"mobile-also-in-series\"\u003e\n\u003ca id=\"alsoinseries\" name=\"#alsoinseries\"\u003e\u003c\/a\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003cdiv class=\"slot series-also-in 9781584351115 isbn-related show\"\u003e\n\u003cdiv id=\"in-series\" class=\"product-series-also-in\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"ICA Bookstore","offers":[{"title":"Default Title","offer_id":56102595297664,"sku":null,"price":12.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/4390\/6109\/files\/9781068758638.png?v=1750418983"},{"product_id":"david-graeber-the-democracy-project-copy","title":"bell hooks: Real to Reel","description":"\u003cp\u003e\u003cspan\u003eRoutledge Classics, 2008, softcover, 320 pages, 13 x 19.8 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMovies matter – that is the message of \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eReel to Real\u003c\/span\u003e\u003cspan\u003e, bell hooks’ classic collection of essays on film. They matter on a personal level, providing us with unforgettable moments, even life-changing experiences and they can confront us, too, with the most profound social issues of race, sex and class. Here bell hooks – one of America’s most celebrated and thrilling cultural critics – talks back to films that have moved and provoked her, from Quentin Tarantino’s \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003ePulp Fiction\u003c\/span\u003e\u003cspan\u003e to the work of Spike Lee. Including also her conversations with master filmmakers such as Charles Burnett and Julie Dash, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eReel to Real\u003c\/span\u003e\u003cspan\u003e is a must read for anyone who believes that movies are worth arguing about.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv id=\"mobile-about-the-book\"\u003e\n\u003cdiv class=\"slot product-about 9781584351115 isbn-related seemoreenable show opened\" id=\"seemore-0\"\u003e\n\u003csection class=\"overview\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"mobile-listen-to-a-clip\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"mobile-also-in-series\"\u003e\n\u003ca name=\"#alsoinseries\" id=\"alsoinseries\"\u003e\u003c\/a\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003cdiv class=\"slot series-also-in 9781584351115 isbn-related show\"\u003e\n\u003cdiv class=\"product-series-also-in\" id=\"in-series\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"ICA Bookstore","offers":[{"title":"Default Title","offer_id":56136709505408,"sku":null,"price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/4390\/6109\/files\/51to8cH7-NL._SY522.jpg?v=1752579204"},{"product_id":"everything-is-now","title":"J. Hoberman: Everything Is Now","description":"\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eVerso, 2025, paperback, 464 pages, 16.2 x 24.1 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eA ground-breaking cultural history of 1960s New York, from the legendary writer on art and film.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLike Paris in the 1920s, New York City in the 1960s was a cauldron of avant-garde ferment and artistic innovation. Boundaries were transgressed and new forms created. Drawing on interviews, memoirs, and the alternative press, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eEverything Is Now\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003echron­icles this collective drama as it was played out in coffeehouses, bars, lofts, storefront theaters, and, ultimately, the streets.\u003cbr\u003e\u003cbr\u003eThe principals here are penniless filmmak­ers, jazz musicians, and performing poets, as well as less classifiable artists. Most were outsiders at the time. They include Amiri Baraka, Bob Dylan, Allen Ginsberg, Yayoi Kusama, Yoko Ono, Nam June Paik, Carolee Schneemann, Jack Smith, Andy Warhol, and many more. Some were associ­ated with specific movements (Avant Rock, Destruction Art, Fluxus, Free Jazz, Guerrilla Theater, Happenings, Mimeographed Zines, Pop Art, Protest-Folk, Ridiculous Theater, Stand-Up Poetry, Underground Comix, and Underground Movies). But there were also movements of one. Their art, rooted in the detritus and excitement of urban life, was taboo-breaking and confrontational.\u003cbr\u003e\u003cbr\u003eAs J. Hoberman shows in this riveting his­tory, these subcultures coalesced into a counterculture that changed the city, the country, and the world.\u003c\/span\u003e\u003c\/p\u003e","brand":"ICA Bookstore","offers":[{"title":"Default Title","offer_id":56158315643264,"sku":null,"price":25.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0012\/4390\/6109\/files\/81p1R21badL._SY522.jpg?v=1751291286"}],"url":"https:\/\/shop.ica.art\/collections\/film.oembed?page=7","provider":"ICA Bookshop","version":"1.0","type":"link"}